After completing the six re-issues of songs (plus the seventh of spoken words) it was time to concentrate on the other material which had accumulated
And that was the plan until the idea took hold of putting together a selection of the tracks which had been played by Women of Substance Radio and Podcast at www.wosradio.com
Most of the songs had been included on previous CDs and the proposed 'new' selection was viewed as a top up, more of a sample of songs than a continuation of the re-issue project
And so it is:THOSE THEY CHOSE is nothing much more than a SIMPLE SAMPLE OF SONGS It's usefulness may lie in the songs reaching places they have not been before along with the hope that they will enjoy the journey and that a few of them will be well received when they get there
Tuesday, 5 June 2018
Tuesday, 22 May 2018
A REMINDER - TO MYSELF
The site SO SAID THE SAP was set up as a follow-up to writing words and making a paper collage to go with them Both are below The words have been strung together to limit their use of space The image below is a scan of the original collage
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| On the way to live out life |
Around that time the date's not clear but what
they got was stark - a fear of losing what they had and whether light or dark
the fear was bad or bad enough to find a place in everything they did - a trace
of fear ran through their every move and kept them tied to anxious mood To
hesitating stepping back scared of falling off the track that others rode with
engines stoked with words of love of praise of hope that all would play
out good and true that what they had would see them through
But being sap does not require to also breathe
a bitter fire upon all those who have it good although a bit more sharing
would improve the lot of those who feel they never got their early needs met in
ways that set them free of fear - the sort I'm citing here
So said the sap the day they found love does
not always leap and bound to fill the heart and head with joy sometimes
its crap and but a ploy to satisfy the selfish needs which found a place
when grief destroyed those tender moments soft and kind which we all
need if we're to find within ourselves a peace of mind
In the above version some of the capital letters used in the original text have been changed
The words are available as a spoken word track on Bandcamp
at https://sheilakcameron.bandcamp.com/track/so-said-the-sap
THOSE THEY CHOSE
When I used to perform in public it was always much easier if the words and music or both were not mine And I have experienced a similar pleasure working on this selection of tracks Although most of the songs were written by me and I recorded them, the fact that they were chosen by others has allowed me to feel somewhat distanced from them
The selection is presently available for streaming and download and as a CD on Bandcamp at https://sheilakcameron.bandcamp.com/album/those-they-chosehttps://sheilakcameron.bandcamp.com/album/those-they-chose
It also now features on the new site at https://skcsongs.com/those-they-chose
With the seven re-issues there was a sense that a major task had been completed These songs most of which can be found on the previous CDs are more of a sample from what's gone before than a continuation
The first track, AS YOU WRAPPED THE STRING AROUND ME, belongs to Glasgow and the last one, WHERE THE LAST TIDE RUNS was written in Tlell on Haida Gwaii Those in between belong to various times and places They have, however, all been specially remastered for the occasion
The musicians magicians and technicians who enhanced them as they made their way from basic acoustic tracks to something more include in first name alphabetical order: Brian McNeil (of China Crisis) Brian Young (of Cava Studios Glasgow) Fraser Spiers, Geoff Allan, Jennifer Clark and John Saich - along with Mags Russell (of Wild Biscuit Music)
The selection is presently available for streaming and download and as a CD on Bandcamp at https://sheilakcameron.bandcamp.com/album/those-they-chosehttps://sheilakcameron.bandcamp.com/album/those-they-chose
It also now features on the new site at https://skcsongs.com/those-they-chose
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| Cover of the CD: SKC and the WOS Icon |
With the seven re-issues there was a sense that a major task had been completed These songs most of which can be found on the previous CDs are more of a sample from what's gone before than a continuation
The musicians magicians and technicians who enhanced them as they made their way from basic acoustic tracks to something more include in first name alphabetical order: Brian McNeil (of China Crisis) Brian Young (of Cava Studios Glasgow) Fraser Spiers, Geoff Allan, Jennifer Clark and John Saich - along with Mags Russell (of Wild Biscuit Music)
Saturday, 12 May 2018
SKC SONGS
A need to freshen up the information that is out there lead to the setting up of a new site at www.skcsongs.com It is intended to act as a gateway to the various other sites and sources of material that have accumulated
This idea was more appealing than trying to change what is already there and I liked the sound of skcsongs.com and at last perhaps I have found a comfortable way to use the short name SKC
Using Bandzoogle was appealing until I tried it and it has taken me hours to get only one page in place Below is the image I have used on the new site
This idea was more appealing than trying to change what is already there and I liked the sound of skcsongs.com and at last perhaps I have found a comfortable way to use the short name SKC
Using Bandzoogle was appealing until I tried it and it has taken me hours to get only one page in place Below is the image I have used on the new site
Friday, 6 April 2018
SKC and the WIZARD of WOS
Over a period of several years I have submitted songs to WOMEN OF SUBSTANCE RADIO STATION and PODCASTS at www.wosradio.com and some of them have been played and included in their Podcasts These now
P.S At the time of revising this post a CD of the selection of tracks is also being produced
number over 770 and they can all be
accessed at http://breenoble.libsyn.com/*
My most recent submission was the song MY LOVE IS VELVET and it may have been Bree Noble's* comment that she 'loved it' which set me off thinking I
might put together a Women of Substance selection of songs The thinking was that
the songs which WOS had chosen to play would have a certain je ne said quoi about them
- and any selection was likely to be different from any that I or others might compile
The selection is now complete Entitled THOSE THEY CHOSE it has been professionally prepared and fine tuned for the selection and it can be heard and purchased on Bandcamp at
https://sheilakcameron.bandcamp.com/album/those-they-chose
* Bree Noble is the Founder and CEO of WOS and for a direct link to find out more about WOS go to http://www.wosradio.com/aboutwos/
The selection is now complete Entitled THOSE THEY CHOSE it has been professionally prepared and fine tuned for the selection and it can be heard and purchased on Bandcamp at
https://sheilakcameron.bandcamp.com/album/those-they-chose
* Bree Noble is the Founder and CEO of WOS and for a direct link to find out more about WOS go to http://www.wosradio.com/aboutwos/
P.S At the time of revising this post a CD of the selection of tracks is also being produced
Monday, 29 January 2018
NOTHING BUT THE MOON
In a while I plan to have completed another small lyric video This one will be for the song My Love is Velvet which has been newly arranged by Wild Biscuit Music www.wildbiscuit.com
The song may also appear on Bandcamp although the decision to use only an image of a Tiree moon as photographed by Alan Millar of https://lifeontiree.wordpress.com might be a problem With no text the image might disappear too much (as it does here) into the black of the Bandcamp page The decision not to add any text had much appeal this morning - that may change
Alan has given permission to use one of his Tiree moon photographs and I have chosen one with the darkest sky to go with the opening line of the song 'My love is velvet like the darkness'
The video has now been completed and the song has been uploaded to Bandcamp The links are https://youtu.be/qF70p3cjpsM and
https://sheilakcameron.bandcamp.com/track/my-love-is-velvet
The song may also appear on Bandcamp although the decision to use only an image of a Tiree moon as photographed by Alan Millar of https://lifeontiree.wordpress.com might be a problem With no text the image might disappear too much (as it does here) into the black of the Bandcamp page The decision not to add any text had much appeal this morning - that may change
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| Taken from one of Alan Millar's photographs of the moon |
The video has now been completed and the song has been uploaded to Bandcamp The links are https://youtu.be/qF70p3cjpsM and
https://sheilakcameron.bandcamp.com/track/my-love-is-velvet
Friday, 26 January 2018
MORE SWOOP AND SWAY
This post will make more sense if the latest small video has been accessed at http://www.youtube.com/watch?v=TR2XcX_OvXQ but the before and after message is the same
Of course every day is unlike any other day and some are decidedly more pleasurable than others But it is a delight to wake to the sound of doves in a banyan tree and to be reminded that what we are and have become is not set in the stone of our own lack of imagination - amid the fears of what experience has cautioned us might happen if we try to spread and stretch our wings too far
Well no one in this video (and yes it is small at just over a minute) is advocating the 'too far' but they are favouring the idea (if only for themselves) that a bit more swoop and sway should surely be ok
Of course every day is unlike any other day and some are decidedly more pleasurable than others But it is a delight to wake to the sound of doves in a banyan tree and to be reminded that what we are and have become is not set in the stone of our own lack of imagination - amid the fears of what experience has cautioned us might happen if we try to spread and stretch our wings too far
Well no one in this video (and yes it is small at just over a minute) is advocating the 'too far' but they are favouring the idea (if only for themselves) that a bit more swoop and sway should surely be ok
Monday, 22 January 2018
DUMPING THE DIRGE
Rather than the (elsewhere mentioned and aspired to) good tuneful singable song - the one I chose to use on the next lyric video could be accurately described as a dirge
Of course I did not think this when I was working on it but having now revisited it - in preparation for the video - and having checked up on the definition of a dirge* I have now wholeheartedly accepted it is one And without any hesitation I have taken on board the message from the lyric itself to 'leave it behind' But not until the video has been completed
Anyway, once I had lined up the song to work on - and in keeping with - at times - a troubling - at times - tendency to persevere - it would have been harder to give up on it than to continue with it
Several failed attempts were made to shorten the track but I eventually decided to use the full length version It had been professionally mastered and it proved difficult to neatly lopp off the numerous repetitions at the end: although I appreciated it was in need of some radical lopping
Of course I did not think this when I was working on it but having now revisited it - in preparation for the video - and having checked up on the definition of a dirge* I have now wholeheartedly accepted it is one And without any hesitation I have taken on board the message from the lyric itself to 'leave it behind' But not until the video has been completed
Anyway, once I had lined up the song to work on - and in keeping with - at times - a troubling - at times - tendency to persevere - it would have been harder to give up on it than to continue with it
Several failed attempts were made to shorten the track but I eventually decided to use the full length version It had been professionally mastered and it proved difficult to neatly lopp off the numerous repetitions at the end: although I appreciated it was in need of some radical lopping
The image is as stolen as it was the last time I used it Its relevance to the song only becomes evident well into the track And for anyone for whom a dirge might have some appeal - as it obviously had for me when I recorded it: the video is now on Youtube at http://www.youtube.com/watch?v=zqYtNRUqQTk - for a while
* A dirge is a song or piece of music that is considered too slow, miserable, or boring |
Friday, 19 January 2018
AND LOVE IN YOUR EYES AND THE SEA
‘All you really need is the sea and love in your eyes and the sea’
News that the sea song is being used by Women of Substance Radio reached my tired eyes this morning - although I did know it was coming!
The song can also be heard at
https://sheilakcameron.bandcamp.com/track/all-you-really-need-is-the-sea
Thursday, 18 January 2018
A SORT OF EPK FOR SKC
The EPK has now been made - but may be remade very soon
It’s a bit plonky but it can be found at http://youtu.be/1xxtbSEK20Y
It’s a bit plonky but it can be found at http://youtu.be/1xxtbSEK20Y
Wednesday, 17 January 2018
ACROSS FROM THE WALL
In amongst the lyric videos which I was revisiting recently I saw an old attempt to devise an Electronic Press Kit (usually referred to as an EPK) Disliking what I saw I decided to get rid of it and have another another go
The new one is now in the making
Some images have been identified and some words have been chosen All that remains is for me to record the words and align them with the images This will need to wait until I am reunited with my main recording equipment but having got this far I am impatient to declare that it is on its way
And I can achieve that (if only for my satisfaction) with the above comments and an image from the EPK which, as you will see below, is of a wall
With this EPK I may be paying homage to my father
P.S There is a coloured version of the wall but as some of the other images are not coloured I am choosing to make them all black and white
The new one is now in the making
Some images have been identified and some words have been chosen All that remains is for me to record the words and align them with the images This will need to wait until I am reunited with my main recording equipment but having got this far I am impatient to declare that it is on its way
And I can achieve that (if only for my satisfaction) with the above comments and an image from the EPK which, as you will see below, is of a wall
With this EPK I may be paying homage to my father
P.S There is a coloured version of the wall but as some of the other images are not coloured I am choosing to make them all black and white
Friday, 12 January 2018
LOST AMAZED AND USEFULLY INEFFECTIVE
In some respects I would feel both lost and amazed if I were to find that my various attempts to sort out my material were at an end And why would I not be? Most of the time I can't remember much of what I've written and recorded and by continuing to add to it the task of remembering is made more difficult
If, therefore, I ever reached a stage of being well organised I would probably be amazed And at times in my life when I was unsure about what I should be doing next - without that task - I would feel lost
But every now and again when the mood takes me - or when I get a reminder from others who have read a post or listened to a track - I renew the effort with added determination And the latest of my never ending attempts was to bring some order to all the various lyric videos I have uploaded to YouTube over several years - and to make them available on one channel The original idea was to obtain a simple URL that I could use in a post or an email
The link below is evidence of how successful I have been so far
https://www.youtube.com/playlist?list=PLfi01sG5tj2kmLHtgizChwv1tvEXVA0s4&app=desktop
If, therefore, I ever reached a stage of being well organised I would probably be amazed And at times in my life when I was unsure about what I should be doing next - without that task - I would feel lost
But every now and again when the mood takes me - or when I get a reminder from others who have read a post or listened to a track - I renew the effort with added determination And the latest of my never ending attempts was to bring some order to all the various lyric videos I have uploaded to YouTube over several years - and to make them available on one channel The original idea was to obtain a simple URL that I could use in a post or an email
The link below is evidence of how successful I have been so far
https://www.youtube.com/playlist?list=PLfi01sG5tj2kmLHtgizChwv1tvEXVA0s4&app=desktop
Thursday, 11 January 2018
BLACKBIRD AND BROKEN BITS
The third foray into the workings of iMovie gets me back in touch with the favoured subjects of being bad, of broken bits and of blackbirds
And with the foray now completed the link to the video on Youtube is https://youtu.be/zDmlOfRByvM
Choosing to do this also provides me with the opportunity to say that I have personally never known a bad girl But I have known girls who have had bad things done to them and who have (in various - and sometimes disturbing ways to themselves and others) let it be known how bad they feel
I have also known boys who have had the same load to bear and this song might easily have been called BAD BOY BLUES
And with the foray now completed the link to the video on Youtube is https://youtu.be/zDmlOfRByvM
I have also known boys who have had the same load to bear and this song might easily have been called BAD BOY BLUES
Wednesday, 10 January 2018
TWO WELL LOVED SHEEP
With several writing ideas under consideration and trying to take it easy - creatively and otherwise - I have continued with my lackadaisical (and rather unsuccessful) foray into the workings of iMovie The latest effort - using an old recording of one of my many short songs - is entitled I LOVE SHEEP
And as I discovered today, on line, (and how pleasing that was) sheep are amazinginly well loved
Of all my encounters during the summer, those with the two sheep in the photograph below - and with some of their pals and relatives - were undoubtedly among the most pleasurable
And as I discovered today, on line, (and how pleasing that was) sheep are amazinginly well loved
Of all my encounters during the summer, those with the two sheep in the photograph below - and with some of their pals and relatives - were undoubtedly among the most pleasurable
The link to the video is https://youtu.be/a8q_QCpjnZE
Sunday, 7 January 2018
JUST AROUND THE BEND
The image below is of a road on HAIDA GWAII whereas the song ON THE ROAD TO HAIDA GWAII is about a road that will take you there
And the following link will take you to a very basic lyric video of the song
https://www.youtube.com/watch?v=Uk6wmjsN5ws
Tow Hill Road is a road which I - as happens with many of those who are on the islands for only a few months or years - came to know well but only as a relative stranger would know it Nevertheless it can leave you with such fond and profound memories you are unlikely to ever feel free of them - and indeed would never wish to be
And as the New Year begins I remember especially fellow travellers Mr Toast, Vicki and Jim and Wendy and hope all who journey along there in future will find in the forest and by the sea as much solace and comfort as I often did
The purchase of a Subaru when all other remedies for lost love have failed is not a serious recommendation - although I may well follow through on it myself - anytime soon
P.S And thanks again Aldo
And the following link will take you to a very basic lyric video of the song
https://www.youtube.com/watch?v=Uk6wmjsN5ws
| Tow Hill Road |
The purchase of a Subaru when all other remedies for lost love have failed is not a serious recommendation - although I may well follow through on it myself - anytime soon
P.S And thanks again Aldo
Thursday, 4 January 2018
ALDO FROM GUATEMALA
Another delight! And I have let Aldo know how pleased I am that he liked the song ON THE ROAD TO ROAD TO HAIDA GWAII
Again, as I find often, a positive response from a complete stranger can get me working on a task I have been considering - but have been uncertain about- for days or even weeks
Recently I tried using iMovie for two very basic lyric videos and had thought I might make another using this song Thanks to Aldo I’ll probably now do that!
The song is the second track on the CD Kiss Deep and the Missing Beat and can be heard at https://sheilakcameron.bandcamp.com/track/on-the-road-to-haida-gwaii-2
Monday, 1 January 2018
MORE OF THE SEA - AND THE SKY
Your Song on our #1 Award-Winning Podcast
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| More of the sea and the sky |
Show #737 Friday, January 19, 2018
----------------------------------------------------
Robyn Taylor - The Last Real Gentleman
Eliane Delage - Such Is Life
Lynda Dobbin-Turner - Steering by Starlight
Niño Crudo - I'll Still Rise feat Marie Lister
Sheila K Cameron - All You Really Need is the Sea
jen jen - Annie's Song
Soulshaker ft Adrianna Edwards - What You Do To Me
LINKS
Websites: WOSRadio.com WOSPodcast.com
Instagram @bree.noble Pinterest breernoble
Friday, 29 December 2017
THE SEA MONSTER
Occasionally - as mentioned previously - I use a facility called Crowd Review on Reverbnation This lets you test what other people (chosen by the site) think about a song And on this most recent occasion I had chosen, against the advice of some who are familiar with my material, to try out the song All You Really Need is the Sea
And, as I have also said before, I find the most outrageous and even the most critical responses in no way discomforting They are inevitably interesting and often very amusing My main criticism relates to whoever chooses the listeners From some of the comments in the latest batch their interest was in hearing hip hop and rap tracks whilst my genre on this site is designated as Spoken Word
Leaving that aside: the most enjoyable response - which made me laugh most and provided me with the title for this post - came from a 60 year old woman Some context is required
When I uploaded the song onto Reverbnation it was a mastered version and I had omitted to remove the word master from the title of the track It could be that I was being careless or not wearing
glasses at the time - and it could be that the woman was not wearing hers either when she listened and wrote - and I quote:
‘The music was pretty in All You Really Need is the Sea Monster. I think the lyrics were meaningful. The singing was only OK and the tone of the voice was too light and not rich enough’
Now there were no monsters around when I was writing All You Really Need is the Sea but I was also taking photographs of rock formations on one of the superb beaches on Tiree And, as I did with The Lady of the Rocks, I returned repeatedly to one which I referred to at the time as The Beast
Some may see nothing of what I saw in the photograph below but as I like whenever possible to include an image with a post, I remembered The Beast after reading the woman’s remarks
It changed in amazing ways depending on the light, the wind and the tides - but here it is: a loosely associated ‘monster’ in one of its many guises
And, as I have also said before, I find the most outrageous and even the most critical responses in no way discomforting They are inevitably interesting and often very amusing My main criticism relates to whoever chooses the listeners From some of the comments in the latest batch their interest was in hearing hip hop and rap tracks whilst my genre on this site is designated as Spoken Word
Leaving that aside: the most enjoyable response - which made me laugh most and provided me with the title for this post - came from a 60 year old woman Some context is required
When I uploaded the song onto Reverbnation it was a mastered version and I had omitted to remove the word master from the title of the track It could be that I was being careless or not wearing
glasses at the time - and it could be that the woman was not wearing hers either when she listened and wrote - and I quote:
‘The music was pretty in All You Really Need is the Sea Monster. I think the lyrics were meaningful. The singing was only OK and the tone of the voice was too light and not rich enough’
Now there were no monsters around when I was writing All You Really Need is the Sea but I was also taking photographs of rock formations on one of the superb beaches on Tiree And, as I did with The Lady of the Rocks, I returned repeatedly to one which I referred to at the time as The Beast
Some may see nothing of what I saw in the photograph below but as I like whenever possible to include an image with a post, I remembered The Beast after reading the woman’s remarks
It changed in amazing ways depending on the light, the wind and the tides - but here it is: a loosely associated ‘monster’ in one of its many guises
More of The Lady of the Rocks from the same location can be seen at https://sheilakcameron.bandcamp.com/track/the-lady-of-the-rocks
Monday, 25 December 2017
OUT THERE SOMEWHERE - ON ENGLISH BAY
Several times each year I discover that some of my songs have been used for Keep Fit classes and Karaoke performances As yet I have no idea how this happens or what if anything I might have done to help bring it about but I can say, based on the facts from PRS for Music, that the track which has recently topped the list has been Go On Then (Convince Me)
It can be found at https://www.youtube.com/watch?v=WcY7ZkPOxtM

The rather low key image benefits (for me anyway) from belonging to a photograph of English Bay Vancouver And more so because neither the boat nor the head of the swimmer in the water were observed at the time the photograph was taken Perhaps it also offsets some of the seriousness of the song
The words ‘out there somewhere’ which have been used in the title of the post - are from a line in the song
PS Unfortunately I had mistakenly opened up a new YouTube account for the song about the sea but once I had recovered from my foolishness I decided to make it my main account from now on What to do about the previous account at Eepsylyrics (https://www.youtube.com/user/eepsylyrics) is under non urgent consideration
Sunday, 24 December 2017
THE SEA - ON THE TUBE
The link below will take you to the lyric video of the song
All You Really Need is the Sea
youtu.be/6eWWBCc6ZPA
All You Really Need is the Sea
youtu.be/6eWWBCc6ZPA
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| ‘As the evening arrives and the sun goes away' |
And knowing it will be back again tomorrow: Happy New Year everyone
Thursday, 21 December 2017
THREE WISE MEN - and NUMEROUS WOMEN
Well
I think they are wise! And over the course of the year there have been more
than three - but taking into consideration the recent review below from Blues
Bunny, Iain Anderson playing my latest Wild Biscuit arranged track (twice) and
the words from Ian D Hall about the spoken word double CD - I am choosing
them for a special mention
To
do this is rather self congratulatory but I can almost feel comfortable about
that as this is the Season of Goodwill
And more and many thanks are due to those who read this blog, who listen to my songs and particularly those who like what I do enough to keep encouraging me to keep doing it
The following link will take you to the song played by Iain Anderson on his Radio Scotland program https://sheilakcameron.bandcamp.com/track/all-you-really-need-is-the-sea And the link to Iain Hall's comments can be found at http://www.liverpoolsoundandvision.co.uk/2017/09/16/sheila-k-cameron-the-unknowable-next-spoken-words-album-review/
Monday, 27 November 2017
NO SONG ATTACHED
Reflecting the chosen title for some of the work I do i.e SONGS AND IMAGES FROM GLASGOW HAIDA GWAII AND IN- BETWEEN perhaps the emphasis has been too much on the songs and not enough on the images Although I have used copies of my paintings and photographs on the sleeves of the various CD's which are now out there
The image below appeared this morning as I was sorting out some computer files It was taken from the window of my hotel room on waking one morning in Canada a long time ago now Another photograph I took at the same time has been used on my web site at http://www.sheilakcameron.com/id102.html
And the one below evoked such memories of my time in Canada I felt impelled - and entirely for my own very personal reasons - to use it in this post And it is something of a relief to say it has nothing whatsoever to do with a song
Friday, 10 November 2017
FOR AS LONG AS IT LASTED
When Iain Anderson featured me as songwriter of the week on his BBC Scotland Radio Show in August this year it went to my head And it stayed there And while it was there I told him he had got me believing I was a song writer
I have explained this before It's not that I don't know that I write songs but thinking of myself as a song writer is something 'other'
Something other could have been the title of this post
Anyway, while it lasted, I was what he said I was That could also have been the title for this post i.e I was what he said I was
However, this morning on waking early with a need to write these words (and yesterday having sent him one of my latest songs) I realised that what had gone to my head seemed to have gone elsewhere
Where it is I have no idea and although I had enjoyed it being there - very much - I now intend to enjoy what I was before it went there i.e someone who, along with what else I am and do - writes songs
The link to the Iain Anderson Show is
http://www.bbc.co.uk/programmes/b0074hkv
The link to the song I sent to the Iain Anderson Show is
https://sheilakcameron.bandcamp.com/track/all-you-really-need-is-the-sea
PS The laid back vocal in the sent song is rather quaky but the track does benefit greatly from the delicate arrangement by John Saich and Mags Russell of Wild Biscuit Music And it would be good if what the track lacks does not get in the way of what it also offers The song was written and recorded by me sometime around a stay on theIsland
of Tiree in the summer of 2017
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| Iain Anderson |
Something other could have been the title of this post
Anyway, while it lasted, I was what he said I was That could also have been the title for this post i.e I was what he said I was
However, this morning on waking early with a need to write these words (and yesterday having sent him one of my latest songs) I realised that what had gone to my head seemed to have gone elsewhere
Where it is I have no idea and although I had enjoyed it being there - very much - I now intend to enjoy what I was before it went there i.e someone who, along with what else I am and do - writes songs
The link to the Iain Anderson Show is
http://www.bbc.co.uk/programmes/b0074hkv
The link to the song I sent to the Iain Anderson Show is
https://sheilakcameron.bandcamp.com/track/all-you-really-need-is-the-sea
PS The laid back vocal in the sent song is rather quaky but the track does benefit greatly from the delicate arrangement by John Saich and Mags Russell of Wild Biscuit Music And it would be good if what the track lacks does not get in the way of what it also offers The song was written and recorded by me sometime around a stay on the
Wednesday, 8 November 2017
BROKEN BITS
This morning I came across the song on You Tube about a bad girl who gets shown the door and finds refuge as a blackbird in a doorless nest
I'd forgotten about it - but not about bad girls with broken bits So here's to them and wha's like us!
https://www.youtube.com/watch?v=vF9D6tAdKCc
I'd forgotten about it - but not about bad girls with broken bits So here's to them and wha's like us!
https://www.youtube.com/watch?v=vF9D6tAdKCc
Saturday, 4 November 2017
ALL YOU REALLY NEED IS THE SEA
Following on from the previous post is news of the song All You Really Need is the Sea
It can now be heard on Bandcamp at https://sheilakcameron.bandcamp.com/track/all-you-really-need-is-the-sea
And there is a bit more about it in the next post
It can now be heard on Bandcamp at https://sheilakcameron.bandcamp.com/track/all-you-really-need-is-the-sea
And there is a bit more about it in the next post
Thursday, 2 November 2017
IS THIS THE ONE TO GO WITH THE ONE THAT MAY BE THE ONE
The title of the
post refers to the image I am using for a song which is on the way to being
mastered and made ready to be heard
I did like the song
when I first recorded it as a song (it had previously been recorded as a spoken
word track) but now that it has been arranged by John Saich and Mags Russell of
Wild Biscuit Music I love it
Its much easier to
love a track that is not all ones own
As they have done
with other songs of mine Wild Biscuit have made it so much more than it
was and made it sound exactly as I had wanted it to sound
In some ways it is
hardly there at all - which might make more sense after it has been listened to
And as it
approaches being heard by others I am wondering if I will care how it is
responded to Today, I don't think I will care at all - although that might change
What I can say is
that when it gets to the last few
notes I am pleased to have heard it Such responses have led me to question whether this is the
closest I have yet come to writing a 'good' song
But that is a
question for another day
Wednesday, 1 November 2017
THE FEET HAVE BEEN REFRESHED
On a recent visit to the CAVA STUDIOS GLASGOW the track FEET FEET FEET was given some additional beef by FRASER SPIERS and BRIAN YOUNG
It was mastered by GEOFF ALLAN and the fresher version can be heard on Bandcamp at https://sheilakcameron.bandcamp.com/track/feet-feet-feet
It was mastered by GEOFF ALLAN and the fresher version can be heard on Bandcamp at https://sheilakcameron.bandcamp.com/track/feet-feet-feet
Friday, 20 October 2017
A PUBLIC SERVICE SONG
This track FEET FEET FEET came from personal experience and on hearing of friends and others who had occasionally not been paying enough attention to their feet
More of a message than a song it has words which are simple and repetitive enough to be sung easily - even while walking
The song can be heard on Bandcamp at https://sheilakcameron.bandcamp.com/track/feet-feet-feet
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| The firmly planted feet (and some leg) in the image above belong to a well loved companion called Mrs Sheep |
The song can be heard on Bandcamp at https://sheilakcameron.bandcamp.com/track/feet-feet-feet
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| From another well loved companion |
Friday, 13 October 2017
SPAM VALLEY oops and a wink
There is a reference to Henry Healy's spam in one of the tracks on the selection ON THE WAY TO SONG and checking for the correct spelling for Healy this morning I came across the site below There were numerous references to the Grocer's which closed down throughout the City of Glasgow in 2009
The text below the image came (without permission) from the Forum and provided the title for this post The Hidden Glasgow Forums can be located at http://www.hiddenglasgow.com/forums/
Post by ramor69 » Thu Oct 19, 2006 9:09 pm
What a coincidence. The first girl I ever really fancied
worked in Henry Healys under the Umbrella, I've seen
her a few times since then but guess what? I bumped
into her yesterday, (literally). TBH I was pretty well
lost for words, (makes a change for me). :oops:
Anyways my old granny always used Healys across
from the Eye Infirmary, (can't remember the name of
the street it was on). She always said that's where the
spam valley crowd got their meat. :wink:
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